April 8, 2013
“Hide and Seek” is a 2005 thriller movie that did not get great reviews at the time of its release. However, chances are most critics did understand its symbolism and its underlying theme which is all about Monarch Programming. In fact, “Hide and Seek” is probably one of the most blatant movies about Monarch Mind Control in Hollywood’s history. We’ll look at the hidden meaning of the movie.
Hide and Seek is not going down in history as Robert De Niro’s most memorable movie. It was bashed by movie critics for its derivative nature and because its ending was deemed “nonsensical”. While it is true that the plot of Hide and Seek has a fair share of logical fallacies, the movie simply cannot be fully understood without knowing about the key element at its core: Trauma-based Mind Control. From the first frame to the last, almost every line and every symbol found in the movie directly refers to concepts associated with mind control, specifically Monarch Programming.
In this particular brand of mind control, children are subjected to trauma so intense that it causes them todissociate from reality. The slave’s handlers can then program into the children’s minds alter personas that can be triggered at will (for more information about Monarch Mind Control, read the article entitledOrigins and Techniques of Monarch Mind Control). In a symbolic and theatrical way, Hide and Seekdescribes the horrible procedure behind Monarch Programming and hints to the more sadistic aspects of it. The fact that Monarch butterflies appear in key parts of the movie confirm that the whole storyline is based on Monarch Mind Control.
Further, when one understands the handler/slave relationship that is happening in the movie, the “nonsensical” ending becomes a little more “sensical” as it fits precisely with the way Monarch Programming works .
Let’s look at the story of Hide and Seek and the MK symbolism it contains.
Warning: Gigantic spoilers ahead.
After witnessing the apparent suicide of her mother, a young girl named Emily Callaway (played by Dakota Fanning) displays symptoms of severe trauma. Her father David Callaway (played by Robert De Niro) attempts to help his daughter snap out of her trauma by leaving his job as a psychologist and by moving to a small town outside of New York.
There, he realizes that his relationship with Emily is extremely difficult and that her behavior is increasingly worrisome. Emily claims to have a new friend named Charlie who is “lots of fun” and plays with her, but Emily tells her father that Charlie doesn’t like him at all. David believes that Charlie is an imaginary friend Emily created to help cope with her trauma. Things however become unsettling when horrible things begin to occur around the house (i.e. the cat gets drowned in the bathtub) that Emily then blames on Charlie. When David discovers his potential new girlfriend has been murdered in the bathtub, he realizes that Charlie is a real person and that he’s extremely dangerous. After running around the house for a few minutes, David has a moment of clarity and realizes that HE is Charlie. Charlie is indeed David’s alternate personality, one that he didn’t know even existed. This alter personality has been manipulating poor traumatized Emily and has been committing horrible crimes. After this epiphany, Charlie takes control of David’s body and goes on a murderous rampage. Charlie is then stopped, and shot dead, by Katherine, a psychologist who worked with David in New York and who came to see if Emily was alright. After the ordeal, Emily goes to live with Katherine and that’s that.
As stated above, for most movie viewers, the internal logic of the script is somewhat unbelievable. However, once the MK symbolism of the movie is recognized, one understands thatHide and Seek is about a handler traumatizing and programming an MK slave. The fact that the father/handler has two personas is consistent with the fact that handlers are often dissociative slaves themselves who’ve been programmed to carry out someone else’s dirty deeds. Let’s look at the deeper symbolism of the movie.
Emily, the Traumatized Child
The movie begins with a symbolic image: Emily playing with her mother, spinning around in the bliss of childhood and innocence. Notice the doll: she holds this constantly in the first part of the movie.
Emily is a regular and playful child who appears to be very happy. In the first scene of the movie, we see her playing hide-and-seek with her mother, who then lovingly tucks her into bed.
Emily constantly holds a doll that takes on an important meaning later in the movie. The doll represents Emily’s innocent, core personality: her “real” self.
Later that night, Emily witnesses a horrifying scene: Her mother dead in a bloody bathtub.
Seeing her mother dead is Emily’s first mind-altering, life changing traumatic event … but not the last.
While the death appears to be a suicide, we later learn that Charlie (the alter personality of David – Emily’s father) killed the mother and placed her in the bathtub to make it look like a suicide. Did he do this on purpose to traumatize Emily and begin her Mind Control programming?
Emily is then placed in a mental hospital for children.
Emily displays the classic signs of a traumatized person: Shock, isolation and withdrawal.
The face of trauma.
David (or was it Charlie) decides to leave his job and moves to a small town named Woodland. He says to Katherine, another psychologist who works with him:
“Right now I need to be doing what’s right for Emily. I need to be a full time dad”.
Did he mean: “I need to be a full time handler”?
Right before leaving, Katherine, gives Emily a gift.
Katherine gives Emily a music box that plays the Mockingbird song. As the movie progresses, the Mockingbird song plays whenever a traumatic event happens, which makes it a programmed trigger song. Upon giving the gift, Katherine tells Emily: “Whenever I was feeling sad, I would open the lid and all my sorrows went away” – essentially telling Emily that she should dissociate from reality whenever she hears that song to avoid trauma.
Once in their new home, Emily goes into a wooded area behind the house. There, she follows a Monarch butterfly that leads her to a cave.
This mysterious cave is in fact the programming site where Charlie programs and traumatizes Emily.
The fact that a Monarch butterfly leads Emily to the cave is a coded way of telling viewers “in the know” that this is all about Monarch Programming and trauma-based mind control.
When Emily discovered the cave, she does something that ends up being extremely symbolic.
Emily drops her beloved doll, signifying that she lost her core, innocent persona. Mind Control handlers seek to “lock away” this core persona to be able to program new alter personas within their psyche.
Emily however did not simply “drop” the doll that represents her innocence. She literally mutilates it.
David finds Emily’s doll completely defaced in a garbage can. The mutilation represents how Emily’s mind is being mutilated by the torture and programming happening in the cave.
As Emily “plays” with her friend Charlie (handlers manipulate their slaves to believe they are their friends), she develops a disturbing taste for the morbid. A growing likeness for the dark side of things is often seen in Monarch slaves who become disillusioned with life. Starting with innocent children, handlers seek to create an opposite “mirror image” of their slave who become dark, twisted and disturbed (for this reason, the dualistic, black and white imagery in MK symbolism is extremely important). While we don’t ever see Charlie actually “programming” Emily during the movie, we clearly see the symptoms and the switch in Emily’s behavior.
While fishing with her father, Emily cold-hardheartedly inserts the hook inside a live insect to use as bait. Her lack of reaction to what is usually considered to be repulsive indicates that she might have been “desensitized” to pain, suffering and the repulsive due to the torture she received while being programmed by her handler.
Emily’s programmed dark side becomes more evident when she is set up to play with a “normal” girl.
David sets up a play date for his daughter with another girl from the area. Notice that the girl is holding a doll, hinting that she is “normal” as she is still in possession of her innocent, core personality.
Emily reacts rather badly to the playfulness of this girl and finds a way to show that to her.
Emily takes the girl’s doll and mutilates it – hence reflecting her own distorted soul and her loss of innocence. Notice that the mouth was melted away (symbolizing the slave’s inability ask for help) and has one eye (symbol of Illuminati Mind Control). She also holds her by the neck as if shocking her (shocking is a form of torture used in MK programming).
As things progress in the movie, Emily realizes that the “fun” Charlie is actually evil and sadistic. While playing hide-and-seek with Charlie, Emily gets lured into a dark and scary room in the basement of the house. Then, the lights go out and Emily screams.
David (who has switched back to his core personality) finds Emily in the basement in tears and in state of shock. We can deduce that, while the lights were out, some kind of traumatizing event occurred in that creepy basement – probably torture or abuse.
We then see her in bed with the “face of trauma”, hinting that something horribly wrong happened in that basement – and that Emily’s trauma-based mind control is continuing.
Towards the end of the movie, Charlie loses it, kills some people and starts running after Emily. In a classic “horror movie dumb move”, Emily decides to go hide in the cave where she gets tortured. There, we see a disturbing yet symbolic display of Emily’s stuff.
Inside the cave are Emily’s dolls – mutilated, decapitated and dismembered – representing the powerless state of MK slaves and the abuse they are subjected to. We also see the music box that plays the Mockingbird song, the song Katherine told her to dissociate to when “she was feeling sad”. In MK terms, the song was a trigger to engender dissociation.
In the movie, everything relating to childhood and innocence is twisted, perverted and destroyed, which goes in line with how Monarch programming works on children.
In the final scene of the movie, Emily is living in Katherine’s house and drawing a picture. While everything appears to be well, the last shot of the movie shows Emily’s drawing. Everything is not well at all.
Emily drew two heads on herself, representing that she has an alter persona.
The final frame of the movie basically confirms that the entire programming process succeeded. Emily has an alter persona and is living with another psychiatrist who may or may not be continuing the process. Is Katherine there to help her or is there to continue her programming?
The movie’s DVD features an alternate ending, where Katherine appears to be continuing Emily’s programming.
In the alternate ending, Emily is locked up in a room in a psychiatric institution.
In a deleted scene featured from the DVD, we see Emily acting extra creepy around her babysitter. She is wearing a shirt with a big butterfly on it. Monarch programming.
David the Father / Charlie the Handler
The big “whoa” moment of the movie is when we discover that Charlie is David’s alter persona. While this plot twist was a major let down to most viewers, it falls right in line with how MK programming works. Many handlers are dissociative slaves themselves who are programmed to do someone else’s dirty work. At the end of the movie, we learn that David was deeply traumatized when he caught his wife cheating on him – and that’s when Charlie was born. I guess this is a clunky way of conveying to the viewers that he is also a product of trauma-based mind control.
David is a psychologist with intricate knowledge of the effects of trauma on the human psyche. One can therefore say he is qualified to do some Mind Control programming.
During the first part of the movie, whenever the Charlie alter is triggered, we see David sitting in his study, wearing headphones and listening to music. This symbolizes his core/real persona being “put on hold” while Charlie is in control of his body. David is “out of service” and oblivious to what is going on – hence the headphones.
While in his study, David notices a black mark on his hand.
We then learn that its because Charlie, while in the cave, was holding Monarch butterflies in his hand. Get it? Monarch … in his hand … ? Monarch … handler? While most viewers might perceive this scene as being very random, it is extremely clear to those who know about Monarch programming.
We therefore understand that David never actually sat in his study: It was a way of symbolically showing that his core persona was on hold while Charlie was triggered.
Other random scenes in the movie explain what is happening with David.
David’s head is torn off family pictures, hinting that his “real” self has been taken over and removed from the family.
David’s head is found in the song box, symbolizing his dissociation from reality while the Charlie alter persona is triggered.
At the end of the movie, Charlie is shot dead by Katherine, who takes custody of Emily and brings her back to New York City. Considering the Mind Control interpretation of this movie, we can ask ourselves: Was David and his programmed alter Charlie used by higher ups to traumatize and program Emily? Was he ultimately a disposable, mind controlled pawn who needed to be eliminated? Was his death the final, major traumatic event to completely break down Emily – and to make her an orphan that is completely dependent on the state? These are all questions that arise when one understands the Mind Control symbolism in the movie.
Also, were the people in this friendly town “in on it”? Is Woodland a kind of government-owned remote location used for MK programming?
Most people in Woodland are extremely creepy and strange. Every man made it a point of saying that Emily was “very beautiful” – with an unsettling, perverted look on their face. These scenes might refer to a child abuse ring going on in the town. Or maybe it was an odd way to add some suspense to the movie.
Hide and Seek is a deeply symbolic movie that depicts, in careful detail, the process behind Trauma-based Mind Control. While the meaning of the MK symbolism of the movie probably flew about a mile above most viewer’s heads, a only a little knowledge of the subject is required to make the entire thing extremely overt and blatant. This story of a traumatized child who followed a Monarch butterfly into a dark cave full of pain and horror sums up the entire plight of Monarch slaves. But it played out before the eyes of most viewers without them even realizing it.
The same way Charlie stood in the dark in his deadly game of hide-and-seek with Emily, the truth about the movie is hidden in the darkness of people’s ignorance. However, simply flicking on the light of knowledge reveals the movie’s true meaning: A description of the ugly, disgusting world of Monarch Programming. Playing hide-and-seek with the truth? VCs ain’t got no time for that.
Origins and Techniques of Monarch Mind Control
Dec 12th, 2012
Monarch Programming is a method of mind control used by numerous organizations for covert purposes. It is a continuation of project MK-ULTRA, a mind-control program developed by the CIA, and tested on the military and civilians. The methods are astonishingly sadistic (its entire purpose is to traumatize the victim) and the expected results are horrifying: The creation of a mind-controlled slave who can be triggered at anytime to perform any action required by the handler. While mass media ignores this issue, over 2 million Americans have gone through the horrors of this program. This article looks at the origins of Monarch programming and some of its methods and symbolism.
NOTE: This article contains disturbing elements and might trigger Monarch survivors.
Monarch programming is a mind-control technique comprising elements of Satanic Ritual Abuse (SRA) and Multiple Personality Disorder (MPD). It utilizes a combination of psychology, neuroscience and occult rituals to create within the slaves an alter persona that can be triggered and programmed by the handlers. Monarch slaves are used by several organizations connected with the world elite in fields such as the military, sex slavery and the entertainment industry. This article will look at the origins of Monarch programming, its techniques and its symbolism.
Throughout the course of history, several accounts have been recorded describing rituals and practices resembling mind control. One of the earliest writings giving reference to the use of occultism to manipulate the mind can be found in the Egyptian Book of the Dead. It is a compilation of rituals, heavily studied by today’s secret societies, which describes methods of torture and intimidation (to create trauma), the use of potions (drugs) and the casting of spells (hypnotism), ultimately resulting in the total enslavement of the initiate. Other events ascribed to black magic, sorcery and demon possession (where the victim is animated by an outside force) are also ancestors of Monarch programming.
It is, however, during the 20th century that mind control became a science in the modern sense of the term, where thousands of subjects have been systematically observed, documented and experimented on.
One of the first methodical studies on trauma-based mind control were conducted by Josef Mengele, a physician working in Nazi concentration camps. He initially gained notoriety for being one of the SS physicians who supervised the selection of arriving prisoners, determining who was to be killed and who was to become a forced labourer. However, he is mostly known for performing grisly human experiments on camp inmates, including children, for which Mengele was called the “Angel of Death”.
Joseph Mengele, 1935
Mengele is infamous for his sordid human experiments on concentration camps prisoners, especially on twins. A part of his work that is rarely mentioned however, is his research on mind control. Much of his research in this field was confiscated by the Allies and is still classified to this day.
“DR. GREEN (Dr. Joseph Mengele): The most significant programmer, perhaps one could give him the title of the father of Monarch Programming was Joseph Mengele, an ex-Nazi Concentration Camp doctor. Thousands of Monarch mindcontrolled slaves in the U.S. had “Dr. Green” as their chief programmer.” 1
“Dr. Joseph Mengele of Auschwitz notoriety was the principle developer of the trauma-based Monarch Project and the CIA’s MK Ultra mind control programs. Mengele and approximately 5, 000 other high ranking Nazis were secretly moved into the United States and South America in the aftermath of World War II in an Operation designated Paperclip. The Nazis continued their work in developing mind control and rocketry technologies in secret underground military bases. The only thing we were told about was the rocketry work with former Nazi star celebrities like Warner Von Braun. The killers, torturers, and mutilators of innocent human beings were kept discretely out of sight, but busy in U.S. underground military facilities which gradually became home to thousands upon thousands of kidnapped American children snatched off the streets (about one million per year) and placed into iron bar cages stacked from floor to ceiling as part of the ‘training’. These children would be used to further refine and perfect Mengele’s mind control technologies. Certain selected children (at least the ones who survived the ‘training’) would become future mind controlled slaves who could be used for thousands of different jobs ranging anywhere from sexual slavery to assassinations. A substantial portion of these children, who were considered expendable, were intentionally slaughtered in front of (and by) the other children in order to traumatize the selected trainee into total compliance and submission”. 2
Mengele’s research served as a basis for the covert, illegal CIA human research program named MK-ULTRA.
Declassified MK-Ultra document
Project MK-ULTRA ran from the early 1950s to at least the late 1960s, using American and Canadian citizens as its test subjects. The published evidence indicates that Project MK-ULTRA involved the use of many methodologies to manipulate individual mental states and alter brain functions, including the surreptitious administration of drugs and other chemicals, sensory deprivation, isolation, and verbal and physical abuse.
The most publicized experiments conducted by MK-ULTRA involved the administration of LSD on unwitting human subjects, including CIA employees, military personnel, doctors, other government agents, prostitutes, mentally ill patients, and members of the general public, in order to study their reactions.
However, the scope of MK-ULTRA does not however stop. Experiments involving violent electroshocks, physical and mental torture and abuse were used in a systematic matter on many subjects, including children.
Declassified picture of a young MK-ULTRA subject, 1961.
Although the admitted goals of the projects were to develop torture and interrogation methods to use on the country’s enemies, some historians asserted that the project aimed to create “Manchurian Candidates”, programmed to perform various acts such as assassinations and other covert missions.
MK-ULTRA was brought to light by various commissions in the 1970s, including the Rockefeller Commission of 1975. Although it is claimed that the CIA stopped such experiments after these commissions, some whistle-blowers have come forth stating that the project simply went “underground” and Monarch Programming has become the classified successor of MK-ULTRA.
The most incriminating statement to date made by a government official as to the possible existence of Project MONARCH was extracted by Anton Chaitkin, a writer for the publication The New Federalist. When former CIA Director William Colby was asked directly, “What about monarch?” he replied angrily and ambiguously, “We stopped that between the late 1960s and the early 1970s.” 3
Although there has never been any official admittance of the existence of Monarch programming, prominent researchers have documented the systematic use of trauma on subjects for mind-control purposes. Some survivors, with the help of dedicated therapists, were able to “deprogram” themselves to then go on record and disclose the horrifying details of their ordeals.
Monarch slaves are mainly used by organizations to carry out operations using patsies trained to perform specific tasks, who do not question orders, who do not remember their actions and, if discovered, who automatically commit suicide. They are the perfect scapegoats for high-profile assassinations (see Sirhan Sirhan), the ideal candidates for prostitution, slavery and private movie productions. They are also the perfect puppet performers for the entertainment industry.
“What I can say is I now believe that ritual-abuse programming is widespread, is systematic, is very organized from highly esoteric information which is published no-where, has not been on any book or talk show, that we have found it all around this country and at least one foreign country.
People say, “What’s the purpose of it?” My best guess is that the purpose of it is that they want an army of Manchurian Candidates, ten of thousands of mental robots who will do prostitution, do movies, smuggle narcotics, engage in international arms smuggling, all sorts of very lucrative things, and do their bidding and eventually the megalomaniacs at the top believe they’ll create a Satanic Order that will rule the world”. 4
Monarch programmers cause intense trauma to subjects through the use of electroshock, torture, abuse and mind games in order to force them to dissociate from reality – a natural response in some people when then are faced with unbearable pain. The subject’s ability to dissociate is a major requirement and it is ,apparently, most readily found in children that come from families with multiple generations of abuse. Mental dissociation enables the handlers to create walled-off personas in the subject’s psyche, which can then be programmed and triggered at will.
“Trauma-based mind control programming can be defined as systematic torture that blocks the victim’s capacity for conscious processing (through pain, terror, drugs, illusion, sensory deprivation, sensory over-stimulation, oxygen deprivation, cold, heat, spinning, brain stimulation, and often, near-death), and then employs suggestion and/or classical and operant conditioning (consistent with well-established behavioral modification principles) to implant thoughts, directives, and perceptions in the unconscious mind, often in newly-formed trauma-induced dissociated identities, that force the victim to do, feel, think, or perceive things for the purposes of the programmer. The objective is for the victim to follow directives with no conscious awareness, including execution of acts in clear violation of the victim’s moral principles, spiritual convictions, and volition.
Installation of mind control programming relies on the victim’s capacity to dissociate, which permits the creation of new walled-off personalities to “hold” and “hide” programming. Already dissociative children are prime “candidates” for programming”. 5
Monarch mind control is covertly used by various groups and organizations for various purposes. According to Fritz Springmeier, these groups are known as “The Network” and form the backbone of the New World Order.
Origins of the Name
Monarch mind control is named after the Monarch butterfly – an insect who begins its life as a worm (representing undeveloped potential) and, after a period of cocooning (programming) is reborn as a beautiful butterflies (the Monarch slave). Some characteristics specific to the Monarch butterfly are also applicable to mind control.
“One of the primary reasons that the Monarch mind-control programming was named Monarch programming was because of the Monarch butterfly. The Monarch butterfly learns where it was born (its roots) and it passes this knowledge via genetics on to its offspring (from generation to generation). This was one of the key animals that tipped scientists off, that knowledge can be passed genetically. The Monarch program is based upon Illuminati and Nazi goals to create a Master race in part through genetics. If knowledge can be passed genetically (which it is), then it is important that parents be found that can pass the correct knowledge onto those victims selected for the Monarch mind control.” 6
“When a person is undergoing trauma induced by electroshock, a feeling of light-headedness is evidenced; as if one is floating or fluttering like a butterfly. There is also a symbolic representation pertaining to the transformation or metamorphosis of this beautiful insect: from a caterpillar to a cocoon (dormancy, inactivity), to a butterfly (new creation) which will return to its point of origin. Such is the migratory pattern that makes this species unique.” 7
The victim/survivor is called a “slave” by the programmer/handler, who in turn is perceived as “master” or “god.” About 75% are female, since they possess a higher tolerance for pain and tend to dissociate more easily than males. Monarch handlers seek the compartmentalization of their subject’s psyche in multiple and separate alter personas using trauma to cause dissociation.
The following is a partial list of these forms of torture:
1. Abuse and torture
2. Confinement in boxes, cages, coffins, etc, or burial (often with an opening or air-tube for oxygen)
3. Restraint with ropes, chains, cuffs, etc.
5. Extremes of heat and cold, including submersion in ice water and burning chemicals
6. Skinning (only top layers of the skin are removed in victims intended to survive)
8. Blinding light
9. Electric shock
10. Forced ingestion of offensive body fluids and matter, such as blood, urine, feces, flesh, etc.
11. Hung in painful positions or upside down
12. Hunger and thirst
13. Sleep deprivation
14 Compression with weights and devices
15. Sensory deprivation
16. Drugs to create illusion, confusion, and amnesia, often given by injection or intravenously
17. Ingestion or intravenous toxic chemicals to create pain or illness, including chemotherapy agents
18. Limbs pulled or dislocated
19. Application of snakes, spiders, maggots, rats, and other animals to induce fear and disgust
20. Near-death experiences, commonly asphyxiation by choking or drowning, with immediate resuscitation
22. Forced to perform or witness abuse, torture and sacrifice of people and animals, usually with knives
23. Forced participation in slavery
24. Abuse to become pregnant; the fetus is then aborted for ritual use, or the baby is taken for sacrifice or enslavement
25. Spiritual abuse to cause victim to feel possessed, harassed, and controlled internally by spirits or demons
26. Desecration of Judeo-Christian beliefs and forms of worship; dedication to Satan or other deities
27. Abuse and illusion to convince victims that God is evil, such as convincing a child that God has abused her
28. Surgery to torture, experiment, or cause the perception of physical or spiritual bombs or implants
29. Harm or threats of harm to family, friends, loved ones, pets, and other victims, to force compliance
30. Use of illusion and virtual reality to confuse and create non-credible disclosure 8
“The basis for the success of the Monarch mind-control programming is that different personalities or personality parts called alters can be created who do not know each other, but who can take the body at different times. The amnesia walls that are built by traumas, form a protective shield of secrecy that protects the abusers from being found out, and prevents the front personalities who hold the body much of the time to know how their System of alters is being used. The shield of secrecy allows cult members to live and work around other people and remain totally undetected. The front alters can be wonderful Christians, and the deeper alters can be the worst type of Satanic monster imaginable–a Dr. Jekyll/Mr. Hyde effect. A great deal is at stake in maintaining the secrecy of the intelligence agency or the occult group which is controlling the slave. The success rate of this type of programming is high but when it fails, the failures are discarded through death. Each trauma and torture serves a purpose. A great deal of experimentation and research went into finding out what can and can’t be done. Charts were made showing how much torture a given body weight at a given age can handle without death.” 9
“Due to the severe trauma induced through ECT, abuse and other methods, the mind splits off into alternate personalities from the core. Formerly referred to as Multiple Personality Disorder, it is presently recognized as Dissociative Identity Disorder and is the basis for MONARCH programming. Further conditioning of the victim’s mind is enhanced through hypnotism, double-bind coercion, pleasure-pain reversals, food, water, sleep and sensory deprivation, along with various drugs which alter certain cerebral functions”. 10
Dissociation is thus achieved by traumatizing the subject, using systematic abuse and using terrifying occult rituals. Once a split in the core personality occurs, an “internal world” can be created and alter personas can be programmed using tools such as music, movies (especially Disney productions) and fairy tales. These visual and audio aids enhance the programming process using images, symbols, meanings and concepts. Created alters can then be accessed using trigger words or symbols programmed into the subject’s psyche by the handler. Some of the most common internal images seen by mind control slaves are trees, Cabalistic Tree of life, infinity loops, ancient symbols and letters, spider webs, mirrors, glass shattering, masks, castles, mazes, demons, butterflies, hour glasses, clocks and robots. These symbols are commonly inserted in popular culture movies and videos for two reasons: to desensitize the majority of the population, using subliminals and neuro-linguistic programming and to deliberately construct specific triggers and keys for base programming of highly-impressionable MONARCH children. 11 Some of the movies used in Monarch programming include The Wizard of Oz, Alice in Wonderland, Pinocchio andSleeping Beauty .
The movie The Wizard of Oz is used by Monarch handlers to program their slaves. Symbols and meanings in the movie become triggers in the slave’s mind enabling easy access to the slave’s mind by the handler. In popular culture, veiled references to Monarch programming often use analogies to The Wizard of Oz and Alice in Wonderland.
In each case, the slave is given a particular interpretation of the movie’s storyline in order to enhance programming. For example, a slave watching The Wizard of Oz is taught that “somewhere over the rainbow” is the “happy place” dissociative trauma slaves must go to in order to escape the unbearable pain being inflicted upon them. Using the movie, programmers encourage slaves to go “over the rainbow” and dissociate, effectively separating their minds from their bodies.
“As mentioned before, the hypnotist will find children easier to hypnotize if they know how to do it with small children. One method that is effective is to say to the small children, “Imagine you are watching a favorite television show.” This is why the Disney movies and the other shows are so important to the programmers. They are the perfect hypnotic tool to get the child’s mind to dissociate in the right direction. The programmers have been using movies since almost day one to help children learn the hypnotic scripts. For children they need to be part of the hypnotic process. If the hypnotist allows the child to make up his own imagery, the hypnotic suggestions will be stronger. Rather than telling the child the color of a dog, the programmer can ask the child. This is where the books and films shown the child assist in steering its mind in the right direction. If the hypnotist talks to a child, he must take extra precaution not to change the tone of his voice and to have smooth transitions. Most of the Disney films are used for programming purposes. Some of them are specifically designed for mind-control.” 12
Levels of Monarch Programming
The levels of Monarch Programming identify the slave’s “functions” and are named after the Electroencephalography (EEG) brainwaves associated with them.
Types of brain waves in EEG
Regarded as “general” or regular programming, ALPHA is within the base control personality. It characterized by extremely pronounced memory retention, along with substantially increased physical strength and visual acuity. Alpha programming is accomplished through deliberately subdividing the victims personality which, in essence, causes a left brain-right brain division, allowing for a programmed union of Left and Right through neuron pathway stimulation.
BETA is referred to as “sexual” programming (slaves). This programming eliminates all learned moral convictions and stimulates the primitive instinct, devoid of inhibitions. “Cat” alters may come out at this level. Known as Kitten programming, it is the most visible kind of programming as some female celebrities, models, actresses and singers have been subjected to this kind of programming. In popular culture, clothing with feline prints often denote Kitten programming.
DELTA is known as “killer” programming and was originally developed for training special agents or elite soldiers (i.e. Delta Force, First Earth Battalion, Mossad, etc.) in covert operations. Optimal adrenal output and controlled aggression is evident. Subjects are devoid of fear and very systematic in carrying out their assignment. Self-destruct or suicide instructions are layered in at this level.
THETA – Considered to the “psychic” programming. Bloodliners (those coming from multi-generational Satanic families) were determined to exhibit a greater propensity for having telepathic abilities than did non-bloodliners. Due to its evident limitations, however, various forms of electronic mind control systems were developed and introduced, namely, bio-medical human telemetry devices (brain implants), directed-energy lasers using microwaves and/or electromagnetics. It is reported these are used in conjunction with highly-advanced computers and sophisticated satellite tracking systems. 13
It is difficult to remain objective when describing the horrors endured by Monarch slaves. The extreme violence, the abuse, the mental torture and sadistic games inflicted on victims by “notable scientists” and high-level officials prove the existence of a true “dark side” in the powers that be. Despite the revelations, the documents and the whistle-blowers, a great majority of the population ignores, dismisses or avoids the issue altogether. Over two million Americans have been programmed by trauma mind-control since 1947 and the CIA publicly admitted its mind control projects in 1970. Movies such as The Manchurian Candidate have directly referred to the subject, even depicting actual techniques, such as electroshock, the use of trigger words and microchip implementation. Several public figures we see on our TV and movie screens are mind control slaves. Famous people such as Candy Jones, Celia Imrie and Sirhan Sirhan have gone on record and disclosed their mind control experiences…and yet the general public claims that it “cannot exist”.
The research and funds invested in project Monarch do not however only apply to mind control slaves. Many of the programming techniques perfected in these experiments are applied on a mass scale through mass media. Mainstream news, movies, music videos, advertisements and television shows are conceived using the most advanced data on human behavior ever compiled. A lot of this comes from Monarch programming.